WHO
We Are
About Aphrodite – Songs Without Words
A theremin—an instrument played without being touched. Beside it, a soprano saxophone that wanders between worlds, while piano and synthesizer move between the concert hall and the dance floor. Anyone hearing About Aphrodite for the first time inevitably wonders where this music comes from. The answer is simple: from everywhere, and yet from one very particular place.
Gilda Razani plays theremin and soprano saxophone, a rare pairing. On piano and synthesizers, Hanzō Wanning builds the spaces in which her melodies unfold—sometimes warm and acoustic, sometimes deep and electronic, often both at once.
At its heart lies Razani’s Persian heritage, whose melodies surface again and again. They merge with jazz, neoclassical forms, chamber music, synth-pop and electronic soundscapes into an unmistakable sound. The result is music cinematic in scope: dreamlike and weightless one moment, steeped in longing the next.
Live, something extraordinary happens. As soon as About Aphrodite begin to play on their own frequency, the temperature in the room shifts. Streets become rivers, houses become vast landscapes. Strangers suddenly share the same story—of the Persian New Year, of the scent of turmeric, and of the call for freedom.
About Aphrodite dissolve the boundaries between genres. Their music is a soundtrack to multicultural city life, an invitation to drift and to dream.
Whenever possible, the duo becomes a trio, joined by Fethi Ak on darbuka. His virtuoso playing, rooted in Turkish and Kurdish traditions, adds rhythm as a third dimension to their sound.
Gilda Razani is considered one of the most innovative theremin players of our time. On the world’s oldest electronic instrument, she creates soundscapes that hover between science fiction, magic, and deep emotion—as can be heard,among other works, on the Grammy-nominated album Fifty by The Manhattan Transfer. Beyond her virtuosity on the theremin, Razani holds a Master’s degree in saxophone.
Hanzō Wanning is a multi-instrumentalist and sound tinkerer whose musical spectrum ranges from jazz and electronics to modern composition. His style is characterized by lyrical melancholy, complex harmonic structures, and electronic sound design. He studied piano and classical composition and shares his expertise as a university lecturer.
Together, Razani and Wanning have composed several albums for their bands About Aphrodite, Honey Bizarre and Sub.vision, created film scores and radio plays for West German Broadcasting (WDR) Cologne, and co-founded the sound branding agency Honeysounds.
Festivals Fusion (DE), Skandaløs (DE), Les Digitales (CH), Spirit of the Woodstock (I), Tropentango (DE), Jazzprovence (RU), Klangtherapie (DE), Zurück zu den Wurzeln (DE), Summerjazz( DE)
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Mehr Informationen
Ocean Lily, vinyl
Double limited LP 2014






